June 26, 2015

Florence and Genoa, Italy

The exterior of the Cappella dei Principi (“Chapel of the Princes”) - one of the Medici Chapels (“Cappelle Medicee”).
The exterior of the Cappella dei Principi (“Chapel of the Princes”) – one of the Medici Chapels (“Cappelle Medicee”).
Exterior of the Sagrestia Nuova ("New Sacristy") - the other Medici Chapel.
Exterior of the Sagrestia Nuova (“New Sacristy”) – the other Medici Chapel.
A crown for Our Lady of Tears - designed by Alessandro di Bastiano Lamberti (1601 AD).
A crown for Our Lady of Tears – designed by Alessandro di Bastiano Lamberti (1601 AD).
The interior of the Cappella dei Principi (“Chapel of the Princes”).
The interior of the Cappella dei Principi (“Chapel of the Princes”).
The altar inside the Cappella dei Principi.
The altar inside the Cappella dei Principi.
Looking up at the dome for the Cappella dei Principi.
Looking up at the dome for the Cappella dei Principi.
Crown for the Grand Duke - designed by Bartolomeo Follini (1737 AD).
Crown for the Grand Duke – designed by Bartolomeo Follini (1737 AD).
The altar inside the Sagrestia Nuova ("New Sacristy"); the two candelabras were designed by Michelangelo.
The altar inside the Sagrestia Nuova (“New Sacristy”); the two candelabras were designed by Michelangelo.
Statues of St. Cosmas, Madonna and Child, and St. Damian inside the Sagrestia Nuova ('Madonna and Child' was sculpted by Michelangelo).
Statues of St. Cosmas, Madonna and Child, and St. Damian inside the Sagrestia Nuova (‘Madonna and Child’ was sculpted by Michelangelo).
Tomb of Giuliano di Lorenzo de' Medici with Night and Day, sculpted by Michelangelo.
Tomb of Giuliano di Lorenzo de’ Medici with Night and Day, sculpted by Michelangelo.
Closeup of the sculpture 'Night' on the Tomb of Giuliano di Lorenzo de' Medici.
Closeup of the sculpture ‘Night’ on the Tomb of Giuliano di Lorenzo de’ Medici.
Tomb of Lorenzo di Piero de' Medici with Dusk and Dawn, sculpted by Michelangelo.
Tomb of Lorenzo di Piero de’ Medici with Dusk and Dawn, sculpted by Michelangelo.
Street vendors selling leather products near the Mercato Centrale in Florence.
Street vendors selling leather products near the Mercato Centrale in Florence.
Vegetables being sold inside the Mercato Centrale (the “Central Market”).
Vegetables being sold inside the Mercato Centrale (the “Central Market”).
Various meats, cheeses, and olives on sale inside the Mercato Centrale.
Various meats, cheeses, and olives on sale inside the Mercato Centrale.

I woke up around 08:00 today, showered, dressed, got ready, packed my bags, and put my bags in storage inside the hostel. I then left the hostel and walked to the Medici Chapels (a site that I had neglected earlier due to ignorance and wanted to ensure I saw before leaving Florence later this day). I reached the Medici Chapels (“Cappelle Medicee”), which are built as extensions to Brunelleschi’s fifteenth-century AD church, the Basilica di San Lorenzo, just after 09:00 and I bought my entrance ticket. The chapels date from the sixteenth- and seventeenth-centuries; the Sagrestia Nuova (“New Sacristy”) was designed by Michelangelo and was intended by Cardinal Giulio de’ Medici and his cousin Pope Leo X as a mausoleum or mortuary chapel for members of the Medici family; in the end, two rather insignificant members of the Medici family were entombed in the New Sacristy: Lorenzo di Piero, Duke of Urbino and Giuliano di Lorenzo, Duke of Nemours. Of course, the most famous feature of the New Sacristy (and my primary reason for coming here) are the sculptural figures by Michelangelo, which represent the four times of day and ended up influencing sculptural figures reclining on architraves for many generations to come. The second chapel, the Cappella dei Principi (“Chapel of the Princes”) is an octagonal, large, and very impressive chapel with a 59 meter-high dome; its design was a collaboration between the family and architects. After entering inside the Medici Chapel complex, I walked around the lower crypt and viewed the various artifacts related to the family that were now on display. I then walked up the stairs and entered inside the Chapel of the Princes before continuing on to the New Sacristy. After spending a great deal of time in the New Sacristy admiring the work of Michelangelo and taking many photographs, I exited the way I came and left the Medici Chapels. I then walked toward the Florence Santa Maria Novella Railway Station, passing through a street lined with vendors mostly selling Italian leather products; I also stopped inside the Mercato Centrale (the “Central Market”) and looked at all the meats, fish, cheeses, wine, olive oils, vegetables, and fruits being sold inside (I could smell the freshness of each item and I had wished I had come here a few days earlier to buy some products and to perhaps sit down at one of the restaurants inside and eat a meal (one restaurant was particularly popular and probably would’ve been money well spent)). After passing through the Central Market, I finally made it to the Railway Station and I bought train tickets to Genoa (the first train, to Pisa Centrale was set to depart at 11:28, giving me about an hour – plenty of time). I then walked back to the hostel, grabbed my bags, and returned to the railway station. Once I found at which train to get on, I climbed aboard, found a seat, and at 11:28, I was off, travelling to Pisa Centrale Railway Station.

I reached Pisa Centrale Railway Station around 12:30 and decided to have a quick lunch; so, I walked to the station’s McDonalds and had a 1955 Classic burger, French fries, and iced tea. I then waited for the train to Genoa to arrive. The train finally came (thirty minutes late) at 13:33. I climbed aboard the train, found my seat, and was soon on my way to Italy’s west coast. At the start, travelling through Pisa, seeing the Arno River, the Citadel and Republican Arsenal building, the old wall, the Cathedral’s roof and dome, and the top of the Leaning Tower, brought back some fond memories of a previous trip I had done in the region. We quickly passed through Pisa and made our way north along the coast. Memories again bubbled up in to my consciousness as the train passed through La Spezia and each of the five coastal villages in Cinque Terre. During most of the trip I tried fighting sleep to concentrate on reading – I think I was mostly successful.

Monument to G. Mazziri, next to the Piazza Corvetto in Genoa.
Monument to G. Mazziri, next to the Piazza Corvetto in Genoa.
The Mazzini Gallery.
The Mazzini Gallery.
The Porta Soprana - the most prominent gate on the Walls of Genoa.
The Porta Soprana – the most prominent gate on the Walls of Genoa.
The ruins of the cloister of San Andrea.
The ruins of the cloister of San Andrea.
The Porta Soprana up close.
The Porta Soprana up close.
Street in Genoa.
Street in Genoa.
The Church of Saints Ambrogio and Andrea.
The Church of Saints Ambrogio and Andrea.
The Genoa Cathedral (also known as the "Cathedral of Saint Lawrence").
The Genoa Cathedral (also known as the “Cathedral of Saint Lawrence”).
The interior of the Genoa Cathedral.
The interior of the Genoa Cathedral.
A prayer candle tree lit up inside the Cathedral.
A prayer candle tree lit up inside the Cathedral.
The Sacro Catino (the “Sacred Bowl,” also known as the “Genoa Chalice”), which some believe is the Holy Grail; it is a hexagonal green Egyptian glass dish that the Crusaders had mistaken for being emerald and brought back with them after the conquest of Cesarea in 1101 AD.
The Sacro Catino (the “Sacred Bowl,” also known as the “Genoa Chalice”), which some believe is the Holy Grail; it is a hexagonal green Egyptian glass dish that the Crusaders had mistaken for being emerald and brought back with them after the conquest of Cesarea in 1101 AD.
The Cassa Processionale del Corpus Domini - the ark used during the Corpus Domini procession.
The Cassa Processionale del Corpus Domini – the ark used during the Corpus Domini procession.
A chalcedony platter that is believed to be the platter that John the Baptist’s severed head was placed on when it was brought to King Herod.
A chalcedony platter that is believed to be the platter that John the Baptist’s severed head was placed on when it was brought to King Herod.
A ceremonial casket which supposedly contains the ashes of St. John the Baptist and is used during processions.
A ceremonial casket which supposedly contains the ashes of St. John the Baptist and is used during processions.
The Neptune docked at the Port of Genoa; she is a replica of a 17th-century AD Spanish galleon that was built in 1985 AD for Roman Polanski's film 'Pirates'.
The Neptune docked at the Port of Genoa; she is a replica of a 17th-century AD Spanish galleon that was built in 1985 AD for Roman Polanski’s film ‘Pirates’.
Street crossing in Genoa.
Street crossing in Genoa.
The Palazzo Tursi (a 16th-century AD mansion).
The Palazzo Tursi (a 16th-century AD mansion).
Mansions lining Via Garibaldi in Genoa.
Mansions lining Via Garibaldi in Genoa.
Lawn chairs and other outdoor ornaments found outside of an art gallery in Genoa.
Lawn chairs and other outdoor ornaments found outside of an art gallery in Genoa.
The facade of one of the mansions on Via Garibaldi.
The facade of one of the mansions on Via Garibaldi.
Another street in Genoa.
Another street in Genoa.
Fountain at the Piazza de Ferrari.
Fountain at the Piazza de Ferrari.
The Doge's Palace ("Palazzo Ducale") in Genoa.
The Doge’s Palace (“Palazzo Ducale”) in Genoa.
Inside the Doge's Palace in Genoa.
Inside the Doge’s Palace in Genoa.
Looking down Via XX Settembre.
Looking down Via XX Settembre.
Neon lights over the pedestrian walkway along Via XX Settembre.
Neon lights over the pedestrian walkway along Via XX Settembre.
Beer, bread, and fish ravioli with shrimps and arugula’s pesto - part of my last dinner in Italy.
Beer, bread, and fish ravioli with shrimps and arugula’s pesto – part of my last dinner in Italy.

The train finally reached Genoa Brignole Railway Station at 16:00 and I got off and walked to the hotel I had booked with the night before. I reached the hotel, checked in, dropped my bags off, and grabbed my camera, ready to see the sites, but primarily to see the Genoa Holy Chalice; yes, for you see, I have a new mission in life: to seek the Holy Grail (both of them (in Genoa and Valencia) – or even all three if you count the one in Vienna that I had seen almost five years ago whilst in that lovely city; although most people don’t count that one (it is an agate bowl located in the Imperial Treasury that looks as though “KRISTO” is written in the rock veins)). Anyway, I made my way through Genoa (which has a lot more charm than I imagined for a port city) and passed through the Piazza Corveto, walked through one of the city’s old gates that is flanked by two tall towers, and walked to the Cattedrale di San Lorenzo (“Cathedral of Saint Lawrence” or just the “Genoa Cathedral”). I entered inside the Cathedral (which was completed in the seventeenth-century AD, although the groundbreaking occurred in 1110 AD) and immediately walked to the museum. I paid the entrance ticket for the museum and viewed the treasures inside; the first item on display was that which I had sought: the Sacro Catino (the “Sacred Bowl,” also known as the “Genoa Chalice”), which some believe is the Holy Grail; the Genoa Chalice is a hexagonal green Egyptian glass dish that the Crusaders had mistaken for being emerald and brought back with them after the conquest of Cesarea in 1101 AD; it was later, however, when people began to believe the Genoa Chalice was the Holy Grail; I myself, after having viewed the chalice, believe that claim to be absurd – it appears too luxurious an item for Christ to have used, even for His Last Supper, and it is rather large and shallow for a drinking vessel (like the agate bowl in Vienna); from pictures I have seen, the Valencia Chalice is the most likely candidate for the actual Holy Grail . . . of course, I know that the likelihood of any of these vessels being the actual Holy Grail is practically nil. After viewing the Genoa Chalice, I continued on and viewed the other treasures (i.e. an ark used during the Corpus Domini procession, a large statue of the Immaculate Conception, an altar screen, a couple of vestments, a Crucifix that is believed to contain fragments of the True Cross, reliquary arms, a ceremonial casket that is believed to contain the ashes of John the Baptist, a chalcedony platter that is believed to be the platter that John the Baptist’s severed head was placed on when it was brought to King Herod, etc.). After viewing all the treasures in the museum, I returned to the Cathedral, walked around, and then exited the structure. I then walked through the streets of Genoa to the port. I then returned to the old city and walked along Via Garibaldi (a street that was originally named as Strada Maggiore, then Strada Nuova), which is flanked by many palaces; several of the palaces allow visitors to enter inside at least as far as the courtyard. After passing through Via Garibaldi, I walked to the Railway Station and bought a train ticket to Monaco for the next day. I then walked around some more and stopped at a store to buy a bottle of Italian red wine. Next, I found a restaurant where I ate a dinner consisting of beer, bread, fried squid and calamari and zucchini, and fish ravioli with shrimps and arugula’s pesto (pretty tasty stuff). After paying for dinner, the waiters treated me to a shot of limoncello (the second most popular liqueur in Italy) to thank me for my business. I then returned to my hotel room, went through my photographs of the day, and then fell asleep around midnight without even opening the bottle of wine I had purchased (oh well, another day).

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An open journal or an exercise in narcissism.