July 03, 2015

Paris, France

Hot dogs and panini for sale at a shop in Paris.
Hot dogs and panini for sale at a shop in Paris.
The Seine River.
The Seine River.
Notre-Dame Cathedral; completed in 1345 AD, it was one of the first buildings in the world to use the flying buttress.
Notre-Dame Cathedral; completed in 1345 AD, it was one of the first buildings in the world to use the flying buttress.
Notre-Dame Cathedral up close and personal.
Notre-Dame Cathedral up close and personal.
Sculpture of a beheaded saint at the entrance to the cathedral.
Sculpture of a beheaded saint at the entrance to the cathedral.
Inside Notre-Dame Cathedral.
Inside Notre-Dame Cathedral.
The north transept rose inside the cathedral.
The north transept rose inside the cathedral.
The Crown of Thorns (bought by Louis IX from Baldwin II in 1238 AD) preserved in the red case in front of the altar (not very visible in this photograph).
The Crown of Thorns (bought by Louis IX from Baldwin II in 1238 AD) preserved in the red case in front of the altar (not very visible in this photograph).

 

Statue of Saint Joan of Arc.
Statue of Saint Joan of Arc.
An aisle in the cathedral.
An aisle in the cathedral.
Notre-Dame Cathedral seen from the Seine River.
Notre-Dame Cathedral seen from the Seine River.
The Church of Saint-Séverin.
The Church of Saint-Séverin.
Street in Paris.
Street in Paris.
Shakespeare and Company bookstore (opened by George Whitman in 1951 AD - not the original Lost Generation hangout; this was a beatnik hangout).
Shakespeare and Company bookstore (opened by George Whitman in 1951 AD – not the original Lost Generation hangout; this was a beatnik hangout).
Inside the Shakespeare and Company bookstore.
Inside the Shakespeare and Company bookstore.
The Panthéon in Paris - a mausoleum containing the remains of distinguished French citizens.
The Panthéon in Paris – a mausoleum containing the remains of distinguished French citizens.
Inside the Panthéon.
Inside the Panthéon.
Painting of the martyrdom of Saint Denis.
Painting of the martyrdom of Saint Denis.
Statue and tomb of Voltaire.
Statue and tomb of Voltaire.
The final resting place of Marie and Pierre Curie.
The final resting place of Marie and Pierre Curie.
Another view inside the Panthéon.
Another view inside the Panthéon.
'Dante and Virgil in Hell' by William Bouguereau (1850 AD) - in the Musée d'Orsay.
‘Dante and Virgil in Hell’ by William Bouguereau (1850 AD) – in the Musée d’Orsay.
'Galatea' by Gustave Moreau (1880 AD).
‘Galatea’ by Gustave Moreau (1880 AD).
'The Expulsion from Paradise' by Franz von Stuck (1890 AD).
‘The Expulsion from Paradise’ by Franz von Stuck (1890 AD).
'The Lion Hunt' by Eugène Delacroix (1854 AD).
‘The Lion Hunt’ by Eugène Delacroix (1854 AD).
'Madame de Loynes' by Amaury-Duval (1862 AD).
‘Madame de Loynes’ by Amaury-Duval (1862 AD).
'The Source' by Jean Auguste Dominique Ingres (1856 AD).
‘The Source’ by Jean Auguste Dominique Ingres (1856 AD).
'Woman with a Black Boa' by Henri de Toulouse-Lautrec (1892 AD).
‘Woman with a Black Boa’ by Henri de Toulouse-Lautrec (1892 AD).
'Moorish Dance' by Henri de Toulouse-Lautrec (1895 AD).
‘Moorish Dance’ by Henri de Toulouse-Lautrec (1895 AD).
'The Dreamer' by James Tissot (1876 AD).
‘The Dreamer’ by James Tissot (1876 AD).
'Ploughing in the Nivernais' by Rosa Bonheur (1849 AD).
‘Ploughing in the Nivernais’ by Rosa Bonheur (1849 AD).
'Crispin and Scapin' by Honoré Daumier (1864 AD).
‘Crispin and Scapin’ by Honoré Daumier (1864 AD).
'Don Quixote and Dead Mule' by Honoré Daumier (1867 AD).
‘Don Quixote and Dead Mule’ by Honoré Daumier (1867 AD).
Bullfighting scene by Édouard Manet (1865/1866 AD).
Bullfighting scene by Édouard Manet (1865/1866 AD).
'The Fifer' by Édouard Manet (1866 AD).
‘The Fifer’ by Édouard Manet (1866 AD).
'Olympia' by Édouard Manet (1863 AD).
‘Olympia’ by Édouard Manet (1863 AD).
'The Last Rebels, a Scene from the History of Morocco' by Jean-Joseph Benjamin-Constant (1880 AD).
‘The Last Rebels, a Scene from the History of Morocco’ by Jean-Joseph Benjamin-Constant (1880 AD).
'The Oreads' (i.e. nymphs of mountains and grottoes) by William Bouguereau (1902 AD).
‘The Oreads’ (i.e. nymphs of mountains and grottoes) by William Bouguereau (1902 AD).
'The Origin of the World' by Gustave Courbet (1866 AD).
‘The Origin of the World’ by Gustave Courbet (1866 AD).
'The Luncheon on the Grass' by Édouard Manet (1863 AD).
‘The Luncheon on the Grass’ by Édouard Manet (1863 AD).
'Poppies' by Claude Monet (1873 AD).
‘Poppies’ by Claude Monet (1873 AD).
'The Topless Blonde' by Édouard Manet (1878 AD).
‘The Topless Blonde’ by Édouard Manet (1878 AD).
'Claude Monet' by Pierre-Auguste Renoir (1875 AD).
‘Claude Monet’ by Pierre-Auguste Renoir (1875 AD).
'The Rue Montorgueil in Paris, Celebration of 30 June 1878' by Claude Monet (1878 AD).
‘The Rue Montorgueil in Paris, Celebration of 30 June 1878’ by Claude Monet (1878 AD).
'The Swing' by Pierre-Auguste Renoir (1876 AD).
‘The Swing’ by Pierre-Auguste Renoir (1876 AD).
'The Lady with Fans' by Édouard Manet (1873 AD).
‘The Lady with Fans’ by Édouard Manet (1873 AD).
'Woman with a Parasol Turned Left' and 'Woman with a Parasol Turned Right' by Claude Monet (1886 AD).
‘Woman with a Parasol Turned Left’ and ‘Woman with a Parasol Turned Right’ by Claude Monet (1886 AD).
'Still Life with Onions' by Paul Cézanne (ca. 1896-1898 AD).
‘Still Life with Onions’ by Paul Cézanne (ca. 1896-1898 AD).
'Blue Dancers' by Edgar Degas (1893 AD).
‘Blue Dancers’ by Edgar Degas (1893 AD).
'Rouen Cathedral, Facade and the Tour d'Albane, Full Sun' by Claude Monet (1893 AD).
‘Rouen Cathedral, Facade and the Tour d’Albane, Full Sun’ by Claude Monet (1893 AD).
'Bedroom in Arles' (third version) by Vincent van Gogh (1889 AD).
‘Bedroom in Arles’ (third version) by Vincent van Gogh (1889 AD).
'Self-Portrait' by Vincent van Gogh (1889 AD).
‘Self-Portrait’ by Vincent van Gogh (1889 AD).
'Tahitian Women on the Beach' by Paul Gauguin (1891 AD).
‘Tahitian Women on the Beach’ by Paul Gauguin (1891 AD).
'The Riverbank' by Paul Signac (1886 AD).
‘The Riverbank’ by Paul Signac (1886 AD).
'The Man at the Helm' by Théo van Rysselberghe (1892 AD).
‘The Man at the Helm’ by Théo van Rysselberghe (1892 AD).
'Evening Air' by Henri-Edmond Cross (1893 AD).
‘Evening Air’ by Henri-Edmond Cross (1893 AD).
An Art Nouveau sofa.
An Art Nouveau sofa.
Inside the Musée d'Orsay.
Inside the Musée d’Orsay.
'Arcadia' by Alexander Harrison (1886 AD).
‘Arcadia’ by Alexander Harrison (1886 AD).
'The School of Plato' by Jean Delville (1898 AD).
‘The School of Plato’ by Jean Delville (1898 AD).
'Wedding Invitations' by Jean-François Raffaëlli (1898 AD).
‘Wedding Invitations’ by Jean-François Raffaëlli (1898 AD).
'Haymaking' by Jules Bastien-Lepage (1877 AD).
‘Haymaking’ by Jules Bastien-Lepage (1877 AD).
'Divine Service at the Seaside' by Albert Edelfelt (1881 AD).
‘Divine Service at the Seaside’ by Albert Edelfelt (1881 AD).
'Nature Unveiling Herself Before Science' by Louis-Ernest Barrias (1899 AD).
‘Nature Unveiling Herself Before Science’ by Louis-Ernest Barrias (1899 AD).
'The Eagle Hunters' by Jules Coutan (1900 AD).
‘The Eagle Hunters’ by Jules Coutan (1900 AD).

The excess of alcohol from the night before ensured that I slept in later than I had wanted to and it was not until 09:00 when I finally woke up. I then bought train tickets online for Giovanni and myself to Andorra for later in the evening. Next, I woke Giovanni up, showered, dressed, packed my bags, and checked out of the hostel at 10:00 (just in time . . . not that it mattered much since Giovanni came down later than that). Also, Giovanni checked to make sure the New Zealand kid who puked all over his blankets was still alive. We then stored our bags in the lockers provided at the hostel and walked outside to see some more of Paris before our train later this evening. We walked to the Colonel Fabien Metro Station and rode the metro train to the Notre-Dame Cathedral. After exiting the metro, Giovanni and I both needed some food and liquids, so we stopped at a food stall and each had cheesy hot dogs (a large slice of bread covered in cheese with two long hot dogs embedded inside) and a bottle of water. We ate our breakfast at the banks of the Seine River and then continued on to Notre-Dame Cathedral (French for “Our Lady of Paris”). Notre-Dame de Paris was built in the French Gothic style and is among the first buildings in the world to use the flying buttress; it was completed in 1345 AD. The cathedral supposedly has the Crown of Thorns as part of its treasury and it served as the setting for Victor Hugo’s novel, ‘The Hunchback of Notre-Dame.’ Giovanni and I entered inside the cathedral and walked around the interior, admiring the Gothic architecture, stained glass windows, and different chapels. After touring the nave, we exited the cathedral and crossed the Seine River. Next, we walked to Shakespeare and Company bookstore. I was under the impression that this was the original Shakespeare and Company that was operated by Sylvia Beach where many of the Lost Generation writers had hung out (e.g. Hemingway, Fitzgerald, Pound, etc.); however, I later learned that the original bookstore closed during the Nazi occupation of Paris and never reopened; this new bookstore was opened by George Whitman in 1951 AD in a different location and under the name of “Le Mistral;” it was later renamed “Shakespeare and Company” in 1964 AD in tribute to the original (Sylvia Beach did hand Whitman the name before her death); as some consolation for me, this site was frequented by some of the Beat Generation writers (e.g. Ginsberg, Burroughs, Corso) while it was known as Le Mistral (sure the Beats aren’t as good as the Lost Generation in my opinion, but I still enjoy their works). Anyway, Giovanni and I walked around the bookstore and explored both levels before exiting and making way to our next site for the day. We then crossed the Seine River again and walked southward to the Panthéon. On the way, we stopped at a convenience store to buy some Powerade to rehydrate (we were still feeling the effects from last night’s drinking) and then immediately stopped at a bubble milk tea (also known as “boba milk tea) store at my insistence. I had not had bubble milk tea since I was in Malaysia and I couldn’t wait to try it again and introduce Giovanni to it; so we both ordered the black tea version and drank it while talking to the man behind the counter who was from Taiwan (the black tea version was not as good as I remembered it and I think I prefer the green tea version; also, it had been almost a year to the day since I had tried it for the first time in Taipei on July 5, 2014 AD). We then left the store and continued on to the Panthéon, which was originally built in 1790 AD in the neoclassical style (modeled on the Pantheon in Rome) as a church dedicated to Saint Genevieve to house the reliquary châsse containing her relics; however, after many changes, it now functions as a secular mausoleum containing the remains of distinguished French citizens (e.g. Voltaire, Victor Hugo, Emile Zola, Louis Braille, Pierre and Marie Curie, Alexandre Dumas, etc.). Giovanni and I reached the Panthéon, entered inside, wandered around the awesome structure, and then entered the crypt where all the distinguished guests reside for eternity; we visited all the different tombs and then returned to the grand upper level before exiting the Panthéon. Next, we walked to the nearest metro station (Luxembourg) and rode the metro train to the Musee d’Orsay. After exiting the station, we walked to the entrance of the Musee d’Orsay, waited in a long line (in the hot sun), and then entered inside. The Musee d’Orsay occupies a building that used to be a railroad station (the Gare d’Orsay, which opened on May 28, 1900 AD), which was then used as a set for several films (e.g. Orson Welles’ ‘The Trial’ and Bernardo Bertolucci’s ‘The Conformist’), before becoming the museum we see today in 1986 AD. The museum holds mainly French art dating from 1848 to 1915 AD, including paintings, sculptures, furniture, and photography. It houses the largest collection of Impressionist and Post-Impressionist masterpieces in the world, by painters including Monet, Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin, and Van Gogh. After making it through the entrance, Giovanni and I had about three hours to explore the museum and I was determined to see everything inside (I didn’t need to repeat my experience in the Louvre and miss out on important pieces of artwork). Giovanni and I split up and I started on the ground floor, walking through all the exhibition rooms. I then took the elevator to the top (i.e. fifth) floor, which had many famous Impressionist paintings. Finally, I went to the second floor and quickly walked around there before finishing up at 17:40 as the museum began to shut down for the day. I then met up with Giovanni and we walked around for a brief while until we came to a café where we each had a cup of cappuccino. Next, we rode the metro train to the Colonel Fabien Station, returned to the hostel, grabbed our bags, and hung out in the common area. I then did some research on Andorra and booked a hotel for us to stay at while there. Also, during this time, Giovanni returned to the dorm room we had stayed in to look for his missing sandals (they disappeared last night while we slept); while in the room, he talked with the New Zealand kid who was doing better, but was noticeably embarrassed from having vomited last night; Giovanni never did find his sandals and he returned to the common area. I then finished up what I was doing and we both left the hostel with our bags after 20:30. We then rode the metro train from Colonel Fabien Station to Gare d’Austerlitz. We then printed our tickets out from one of the machines, bought a cheap dinner to eat on the train, and then loaded on in to the train, happy to see that we had a cabin (I had booked first class for twenty euros more and was glad I did since we had more room and comfier beds). Giovanni and I then ate our dinner while we waited for the train to depart the station (I had a hoagie with cheese and ham, iced tea, water, and a type of éclair). We also met our cabin-mate for the night, a man from Barcelona who gave us each a small bag of Ritz crackers with cheese. The train then departed the station at 21:56 and we rode on through the French countryside as the sun was setting and the sky turned to twilight. Giovanni and I laid down for the night and the man from Barcelona did likewise. In no time at all, the Barcelona man was asleep, but he was soon disturbed by a nightmare (he dreamt his brother was killed before his eyes); the Barcelona man sat up in his bunk and screamed his brother’s name over and over again; even while sitting up he was still having the nightmare until I turned on the cabin’s lights; he then awoke, apologized, and laid back down to sleep. Eventually, Giovanni and I followed suit.

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An open journal or an exercise in narcissism.