July 01, 2015

Paris, France

The upside-down glass pyramid in the Louvre.
The upside-down glass pyramid in the Louvre.
The Tiara of the Duchess of Angouleme and the Coronation Crown of King Louis XV, with the Regent Diamond in the center.
The Tiara of the Duchess of Angouleme and the Coronation Crown of King Louis XV, with the Regent Diamond in the center.
'The Seated Scribe' from the 4th/5th Dynasty in Egypt (2600-2350 BC).
‘The Seated Scribe’ from the 4th/5th Dynasty in Egypt (2600-2350 BC).
A glazed earthenware dish with "rustic figulines" (16th-century AD).
A glazed earthenware dish with “rustic figulines” (16th-century AD).
Napoleon III Salon in the Royal Apartments in the Louvre.
Napoleon III Salon in the Royal Apartments in the Louvre.
The dining room in the Louvre's Royal Apartments.
The dining room in the Louvre’s Royal Apartments.
Looking out at the Louvre Pyramid from the upper floor.
Looking out at the Louvre Pyramid from the upper floor.
'Madonna and Child with St. John the Baptist' by Sandro Botticelli (1468 AD).
‘Madonna and Child with St. John the Baptist’ by Sandro Botticelli (1468 AD).
'The Crucifixion' by Andrea Mantegna (1456-1459 AD).
‘The Crucifixion’ by Andrea Mantegna (1456-1459 AD).
'The Virgin and Infant with St. Elizabeth and John the Baptist' by Giulio Romano (1519 AD).
‘The Virgin and Infant with St. Elizabeth and John the Baptist’ by Giulio Romano (1519 AD).
'Pietà' by Rosso Fiorentino (ca. 1537-1540).
‘Pietà’ by Rosso Fiorentino (ca. 1537-1540).
'Portrait of Luis María de Cistué y Martinez' by Francisco Goya (1791 AD).
‘Portrait of Luis María de Cistué y Martinez’ by Francisco Goya (1791 AD).
'Gallery of Views of Ancient Rome' by Giovanni Paolo Panini (1758 AD).
‘Gallery of Views of Ancient Rome’ by Giovanni Paolo Panini (1758 AD).
'Saint Louis, King of France, and a Page' by El Greco (ca.1585-1590 AD).
‘Saint Louis, King of France, and a Page’ by El Greco (ca.1585-1590 AD).
'Spring' by Giuseppe Arcimboldo (1563 AD).
‘Spring’ by Giuseppe Arcimboldo (1563 AD).
'The Virgin and Child with the Infant St. John the Baptist' by Raphael (1507/1508 AD).
‘The Virgin and Child with the Infant St. John the Baptist’ by Raphael (1507/1508 AD).
'Venus and Cupid' by Lambert Sustris (1550 AD).
‘Venus and Cupid’ by Lambert Sustris (1550 AD).
'The Virgin and Child with Saint Catherine and a Shepherd' (known as "The Madonna of the Rabbit") by Titian (ca. 1525-1530).
‘The Virgin and Child with Saint Catherine and a Shepherd’ (known as “The Madonna of the Rabbit”) by Titian (ca. 1525-1530).
'The Mona Lisa' by Leonardo da Vinci (1503-1517 AD).
‘The Mona Lisa’ by Leonardo da Vinci (1503-1517 AD).
'Grande Odalisque' by Jean-Auguste-Dominique Ingres (1814 AD).
‘Grande Odalisque’ by Jean-Auguste-Dominique Ingres (1814 AD).
'The Intervention of the Sabine Women' by Jacques-Louis David (1799 AD).
‘The Intervention of the Sabine Women’ by Jacques-Louis David (1799 AD).
'Oath of the Horatii' by Jacques-Louis David (1784 AD).
‘Oath of the Horatii’ by Jacques-Louis David (1784 AD).
'The Coronation of Napoleon' by Jacques-Louis David (1807 AD).
‘The Coronation of Napoleon’ by Jacques-Louis David (1807 AD).
'Liberty Leading the People' by Eugène Delacroix (1830 AD).
‘Liberty Leading the People’ by Eugène Delacroix (1830 AD).
'The Raft of the Medusa' by Théodore Géricault (1819 AD).
‘The Raft of the Medusa’ by Théodore Géricault (1819 AD).
Sketch for 'The Raft of the Medusa' by Théodore Géricault (1819 AD).
Sketch for ‘The Raft of the Medusa’ by Théodore Géricault (1819 AD).
'Triumph of the Virtues' (also known as "Minerva Expelling the Vices from the Garden of Virtue") by Andrea Mantegna (1502 AD).
‘Triumph of the Virtues’ (also known as “Minerva Expelling the Vices from the Garden of Virtue”) by Andrea Mantegna (1502 AD).
'An Old Man and his Grandson' by Domenico Ghirlandaio (1490 AD).
‘An Old Man and his Grandson’ by Domenico Ghirlandaio (1490 AD).
'Mars and Venus' by Nicolas Poussin (1628 AD).
‘Mars and Venus’ by Nicolas Poussin (1628 AD).
'Portrait of Gabrielle d'Estrées and Her Sister, the Duchesse de Villars' by the Fontainebleau school (1594 AD).
‘Portrait of Gabrielle d’Estrées and Her Sister, the Duchesse de Villars’ by the Fontainebleau school (1594 AD).
'Eva Prima Pandora' by Jean Cousin the Elder (1550 AD).
‘Eva Prima Pandora’ by Jean Cousin the Elder (1550 AD).
'Pietà of Saint-Germain-des-Prés' by an unknown painter (ca. 1500 AD).
‘Pietà of Saint-Germain-des-Prés’ by an unknown painter (ca. 1500 AD).
'Portrait of the Artist Holding a Thistle' by Albrecht Dürer (1493 AD).
‘Portrait of the Artist Holding a Thistle’ by Albrecht Dürer (1493 AD).
'Winter Landscape' by Denis van Alsloot (1610 AD).
‘Winter Landscape’ by Denis van Alsloot (1610 AD).
'The Holy Women meditating with instruments of the Passion' by François-Joseph Navez (ca. 1819-1821 AD).
‘The Holy Women meditating with instruments of the Passion’ by François-Joseph Navez (ca. 1819-1821 AD).
'The Duo' by Hendrick ter Brugghen (1628 AD).
‘The Duo’ by Hendrick ter Brugghen (1628 AD).
'Self Portrait at the Easel' by Rembrandt (1660 AD).
‘Self Portrait at the Easel’ by Rembrandt (1660 AD).
'The Lacemaker' by Johannes Vermeer (1670 AD).
‘The Lacemaker’ by Johannes Vermeer (1670 AD).
Copy of the 'Drunken Satyr' by Edmé Bouchardon (1730 AD).
Copy of the ‘Drunken Satyr’ by Edmé Bouchardon (1730 AD).
Code of Hammurabi (ca. 1754 BC).
Code of Hammurabi (ca. 1754 BC).
Sculpture of a Lamassu (an Assyrian protective deity).
Sculpture of a Lamassu (an Assyrian protective deity).
'Passing Lion' - Babylonian glazed tiles (ca. 604-562 BC).
‘Passing Lion’ – Babylonian glazed tiles (ca. 604-562 BC).
The sarcophagus of Eshmunazar II, a Phoenician king of Sidon (created in Egypt in the 5th-century BC).
The sarcophagus of Eshmunazar II, a Phoenician king of Sidon (created in Egypt in the 5th-century BC).
Statue and Ferris wheel in Tuileries Garden.
Statue and Ferris wheel in Tuileries Garden.
Closeup of 'Green Reflections', a panoramic canvas from 'Water Lilies', by Claude Monet (ca. 1914-1926 AD) - exhibited in the Musée de l'Orangerie.
Closeup of ‘Green Reflections’, a panoramic canvas from ‘Water Lilies’, by Claude Monet (ca. 1914-1926 AD) – exhibited in the Musée de l’Orangerie.
'Clear Morning with Willows', a panoramic canvas from 'Water Lilies', by Claude Monet (ca. 1914-1926 AD).
‘Clear Morning with Willows’, a panoramic canvas from ‘Water Lilies’, by Claude Monet (ca. 1914-1926 AD).
Section of 'The Two Willows', a panoramic canvas from 'Water Lilies', by Claude Monet (ca. 1914-1926 AD).
Section of ‘The Two Willows’, a panoramic canvas from ‘Water Lilies’, by Claude Monet (ca. 1914-1926 AD).
'Bather with Long Hair' by Pierre-Auguste Renoir (1896 AD).
‘Bather with Long Hair’ by Pierre-Auguste Renoir (1896 AD).
'Argenteuil' by Claude Monet (1875 AD).
‘Argenteuil’ by Claude Monet (1875 AD).
'Nude Woman on Red Background' by Pablo Picasso (1906 AD).
‘Nude Woman on Red Background’ by Pablo Picasso (1906 AD).
'Reclining Nude with Drapery' by Henri Matisse (1924 AD).
‘Reclining Nude with Drapery’ by Henri Matisse (1924 AD).
'Harlequin and Pierrot' by André Derain (1924 AD).
‘Harlequin and Pierrot’ by André Derain (1924 AD).
'The Young Apprentice' by Amedeo Modigliani (1919 AD).
‘The Young Apprentice’ by Amedeo Modigliani (1919 AD).
The Arc de Triomphe de l'Étoile (“Arch of Triumph of the Star”), which stands in the center of the Place Charles de Gaulle.
The Arc de Triomphe de l’Étoile (“Arch of Triumph of the Star”), which stands in the center of the Place Charles de Gaulle.
Another view of the Arc de Triomphe, which was inaugurated in 1836 AD.
Another view of the Arc de Triomphe, which was inaugurated in 1836 AD.
A memorial ceremony at the Tomb of the Unkon Soldier underneath the Arc de Triomphe.
A memorial ceremony at the Tomb of the Unkon Soldier underneath the Arc de Triomphe.
The First World War monument inside the Arc de Triomphe.
The First World War monument inside the Arc de Triomphe.
View of Paris and the Eiffel Tower from the Arc de Triomphe.
View of Paris and the Eiffel Tower from the Arc de Triomphe.
The Eiffel Tower seen from the Palais de Chaillot.
The Eiffel Tower seen from the Palais de Chaillot.
Trocadéro Gardens and the Palais de Chaillot in the background.
Trocadéro Gardens and the Palais de Chaillot in the background.
The Eiffel Tower seen from the Seine River.
The Eiffel Tower seen from the Seine River.
Looking south at the Seine River.
Looking south at the Seine River.
Looking up at the Eiffel Tower, which was erected in 1889 AD as the entrance arch to the 1889 World's Fair.
Looking up at the Eiffel Tower, which was erected in 1889 AD as the entrance arch to the 1889 World’s Fair.
View from the Eiffel Tower, looking eastward at the Champ de Mars.
View from the Eiffel Tower, looking eastward at the Champ de Mars.
Looking northeast at the Seine River from the Eiffel Tower.
Looking northeast at the Seine River from the Eiffel Tower.
Another view of the Seine River.
Another view of the Seine River.
Looking west at the Trocadéro, the Palais de Chaillot, and the sunset.
Looking west at the Trocadéro, the Palais de Chaillot, and the sunset.
Looking southwest at thew Seine River.
Looking southwest at thew Seine River.
Looking up from the bottom of the Eiffel Tower.
Looking up from the bottom of the Eiffel Tower.
The Eiffel Tower illuminated at twilight.
The Eiffel Tower illuminated at twilight.
The Moulin Rouge.
The Moulin Rouge.

I woke up at 07:30 and Giovanni followed shortly after. I showered, dressed, and got ready to see the Louvre and the other main attractions of Paris. After 08:30, we made it to the Colonel Fabien Metro Station and rode the metro train to the Palais Royal – Musée du Louvre Metro Station. From there, we figured out which line we had to be in to buy tickets to see the Louvre and soon were waiting in a long line that had just started to move when the museum had opened at 09:00 (a few minutes prior). Once we had passed through the security and bought our tickets, we immediately set out to see the vast treasures inside. We first walked to the first floor, viewed the ‘Winged Victory of Samothrace’, and walked on to the Gallery of Apollo. We then walked through all the different exhibits, viewing ancient sculptures and ceramics, apartments from Napoleon III’s time, more ceramics, religious treasures, and many very famous paintings (the ‘Mona Lisa’, ‘Liberty Leading the People’, ‘Oath of the Horatii’, ‘The Coronation of Napoleon’, ‘The Raft of the Medusa’, ‘Grande Odalisque’, etc. – too many to name here and too many to include as photographs; although, I have included quite a few on this page). After passing through the ridiculously large crowd in front of the ‘Mona Lisa’ and after making my way through the entire first floor (this is a European “first floor” – i.e. a “second floor” to us Americans), I walked up to the second floor and saw all the paintings that were open to the public (two sections were closed for renovations on the second floor) – at this point, Giovanni and I split and I toured rthe second floor alone. This floor had more recent paintings and included some by Renoir, Manet, Monet, etc. After seeing the exhibits on the second floor, I met back up with Giovanni and we travelled down to the ground-floor. We walked around and saw some of the sculptures and ancient artifacts on display, but at this time (around 16:00 – almost seven hours spent in the Louvre), I was exhausted and tired and ready to leave. By chance, we came across the ‘Code of Hammurabi’ and I walked around some more to ensure I didn’t miss anything; however, I ended up missing one of the most prized treasures in all of history: the ‘Venus de Milo’ – I only found out the next day that it was in the museum; this is my fault for not walking back to the information desk to pick up a map and for not conducting any research beforehand to see what must-see treasures were in the Louvre’s collection. Anyway, after 16:00, we exited the museum, took some photographs of the glass pyramid and the exterior, and then walked through the Tuileries Garden to the Musée de l’Orangerie (reaching it around 17:00); this museum is an art gallery of impressionist and post-impressionist paintings located in the west corner of the Tuileries Gardens next to the Place de la Concorde; it has Monet’s water-lily paintings, known as the ‘Nymphéas’, and contains paintings by Cezanne, Matisse, Picasso, Modigliani, Renoir, Rousseau, Derain, and others. Giovanni and I made it just in time to be able to go through the entire museum before the closing time at 18:00 (it was a small museum). After finishing up with the Musée de l’Orangerie, we took the metro train to the Arc de Triomphe de l’Étoile (“Arch of Triumph of the Star”), which stands in the center of the Place Charles de Gaulle and honors those who fought and died for France in the French Revolutionary and the Napoleonic War; the Arc de Triomphe was inaugurated in 1836 AD and when we reached the Arc (after purchasing our tickets), we happened to make it in time to witness a ceremony honoring the Tomb of the Unknown Soldier (a tomb created to remember those unknown men who sacrificed themselves during World War I). After watching the ceremony for a while, we climbed the stairs to the top (the elevator was out of order) and had a grand view of Paris and the Eiffel Tower. After taking many photographs from the top of the Arc, we travelled back down, took some more photographs at the base, and then walked back to the metro station. From there, we travelled to the Trocadéro Metro Station to see the Eiffel Tower. Giovanni and I walked through the middle of the Trocadéro, past the pool of water in front of it (which had many bathers trying to cool themselves from the Parisian heat), and across the Seine River to the Eiffel Tower. The Eiffel Tower was named after the engineer Alexandre Gustave Eiffel, whose company designed and built the tower, and was erected in 1889 AD as the entrance arch to the 1889 World’s Fair; it was initially criticized by some of France’s leading artists and intellectuals for its design, but has become both a global cultural icon of France. Upon reaching the base of the tower, Giovanni and I waited in line to buy tickets and take the elevator up to the “second-level” of the tower. While in line, we talked with two Russian girls who were surprised to learn that we had spent roughly seven hours in the Louvre (I think they spent about three, which is a normal time to spend in one museum). We finally made it to the elevator (after waiting approximately an hour) and then travelled up to the “second-level.” From there, we immediately took the elevator up to the “third-level” or topmost-level,” where we had great views of all of Paris. The tower is 324 meters (1,063 feet) tall, although the “third-level” stands at 276 meters (97 meters lower than the Empire State Building’s Observation deck); I had no idea the Eiffel Tower was as tall as it was and was surprised by the awesome view. Whilst at the top, Giovanni and I each had a glass of champagne (from the Champagne Bar at the top) and watched the sun as it descended toward the horizon. After finishing our champagne and taking many photographs, we returned to the “second-level” and walked around there, taking more photographs. Once we were both satisfied with our visit, we then took the elevator back to the ground. From there, we walked to the nearest metro station (Bir-Hakeim), past many street hustlers playing the shell game, and rode the metro train to the Blanche Metro Station, near the Moulin Rouge. Giovanni and I had no interest in wasting any money inside the Moulin Rouge (on a shitty cabaret show from what I hear), so we just took photographs from the outside and then walked to a nearby restaurant for dinner (a steakhouse). For dinner, I had beer, a shared plate of finger foods (onion rings, grilled chicken on a stick, fried cheese sticks, and mini fried burritos), a hanger steak (not really sure how it got its name), French fries, a small salad with corn, and bread. After that mediocre dinner, Giovanni and I walked back to the Blanche Metro Station (quickly leaving the red light district, which is where the Moulin Rouge is located – makes sense in hindsight) and travelled back to the Colonel Fabien Station. We then returned to the hostel and soon went to bed, ready to wake up early the next day to see the Palace of Versailles (or at least I was) . . . unfortunately, we were sharing a room with a loud, obnoxious, old man from New York; this guy snored extremely loud, but at the moment he was annoying everyone else in the room who were trying to rest and go to sleep (he had no clue). I tried to sleep with the light on and with this moron trying to start a conversation with everyone (he even offered alcohol to them to try and get them to stay up and party), but it was no use. Finally, I asked him to turn the light off and he finally went to bed (despite claiming to want to go for a run at 02:00). It didn’t take long for this guy to fall asleep and soon he was rattling the whole room with his snores. But I was able to fall asleep now that the bright light over my top bunk bed was off and I dozed off sometime around 03:00.

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An open journal or an exercise in narcissism.